This short film tells the story of Lord Elgin, a man’s whose faith in a nation’s right to self-determination was stronger than the threat of the mob or his own fear of failure. Successor to Lord Durham, he established the principles on which Canadian government stands today.

Simon moves from Copenhagen to Vesterby, where he meets Bjarke - the city's alpha male and heir to the local speaker empire. The two outsiders begin to challenge each other in cross-border actions, and the friendship grows. But when fraud forces the loudspeaker factory to go bankrupt, the city disintegrates, and Bjarke's family is blamed. Anger arouses the beast in Bjarke, and Simon must now choose whether to try to save his friend or withdraw from the course that Bjarke has set - towards his and Vesterby's downfall.

A children's game of soldiers takes a sinister turn as a bullied outcast from school becomes involved.

3 victims of a brutal school bully are pushed too far and kidnap the school bully. They want answers. The 3 boys confront the bully who awakes tied to a chair in an isolated shed.

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. “Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)

Varvara, the first coachwoman in the history of the city, who began the Barankin family, teleports to the streets of modern Moscow from 1804. A meeting with a relative from the past gives Moscow taxi driver Bata and his three grown-up children magical superpowers encased in power stones. They are very helpful, for example, in unpredictable work in a taxi, but, alas, they only exacerbate personal conflicts. And in the footsteps of Barbara, the mysterious and immortal Velimir is already walking, who dreams of taking possession of the stones.

A high school student is murdered in a satanic ritual.

As Kenya's Mau Mau uprising tears the country apart, former childhood friends Kimani (Sidney Poitier), a native, and Peter (Rock Hudson), a British colonist, find themselves on opposite sides of the struggle in this provocative drama. Though each is devoted to his cause, both wish for a more moderate path -- but their hopes for a peaceful resolution are thwarted by rage, colonial arrogance and escalating violence on both sides.

这是一部纪实性纪录片，艺术评论家安德鲁·格雷厄姆 - 迪克森讲述了过去200年来最重大的文化争议事件。他探寻了埃尔金大理石雕的历史，讲述了它们从雅典被移走的戏剧性故事，并列举了支持和反对将其归还希腊的理由。